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KINGSBURY SS Peter & Paul 8, 17-1-0 in E

Grid Reference 139/214963 Kingsbury Church - Source St Martin's Guild
Postcode B78 2LJ
The Old 5
The Ring of 8

Affiliation St Martin's Guild
Peals Felstead Database
Sunday Variable - check
Practice Friday 1930-2100 (1st of the month)


Being very well sound controlled, the locals are very accommodating in terms of obtaining permission for visitors to visit or ring a peal here. You will always receive a warm welcome at Kingsbury. The bells were always kept in A1 condition by Gordon Lane, the late Tower Captain, to whom we are much indebted in terms of ringing at this church and others in the locality.

The church consists of a chancel, former north vestry, north chapel, nave, north and south aisles, south porch, and west tower. It stands on high ground west of the village. The walls are of local stone. There was probably an aisleless nave with a square chancel; the remains of one window survive in the chancel. About the middle of the 12th century north and south aisles were added, the southern being the first. The north aisle, if not both, may have been altered in the 13th century, and near the end of the same century the west tower was added. The greatest changes were made very early in the 14th century, when the chancel was doubled in length, the Bracebridge chapel built north of it, and both the nave-aisles were widened to their present limits. Late in the 14th century larger windows were inserted in the south wall of the chancel, resulting in the rebuilding of the whole wall above the plinth, and about the same time the north vestry was added. Early in the 15th century the south doorway of the aisle was altered and furnished with a timber-framed porch: the side walls of the porch were replaced with masonry a century or more later. The 14th-century aisles had lower roofs than now, their lines being indicated in the end walls, and may have continued the slopes of the nave-roof. The walls of the aisles and the Bracebridge chapel were heightened early in the 16th century and new flat roofs were constructed. At the same time a range of upper windows was inserted in the north aisle, the south-east window was heightened, and the 12th-century arcades were altered to two 18½-ft. bays instead of the two or three narrower original bays. The chamfered pointed heads were rebuilt, with the re-use of many 13th-century small voussoirs in the eastern bays.

In 1610 the west wall of the tower was entirely rebuilt and the top stage—the bell-chamber—was added. The clearstory to the nave is of uncertain date, but it is evidently a late addition. About the middle of the 17th century a good deal of repair was needed and the nave and Bracebridge chapel were given new roofs. It was probably then that the clearstory was raised.  The Bracebridge Chapel afterwards became a school-room, the arches to the chancel and aisle and the squint to the chancel being blocked up. (They were opened out again in 1882–6.) In 1821–2 the floor-levels of the nave and aisles were raised and paved with Wilmcote stone, while new seats were put in. A gallery built in the west end in 1820 was removed in 1886.  In 1887 the 12th-century chancel arch was altered to its present pointed form. The old vestry was made to serve as the boiler-room in 1890. Repairs were done in 1928 to the tower, and in 1938 the south porch was restored, when the early-15th-century roof was discovered above a plastered ceiling and opened out.

By 1552 the tower contained a heavy ring of four, (tenor 19-2-3). Two early bells, the treble and third survived until 1849. The churchwardens' accounts refer to the recasting of two bells, the third and the great bells by Thomas Newcombe of Leicester in 1567. Edward Newcombe recast the second bell in 1602 and the Newcombe brothers in partnership recast the tenor in 1612.

Local tradition has it that a treble was added when the tower was rebuilt in 1610, to make 5. However, there is no written evidence to support this and there were certainly only four bells in the tower when the bells were recast into a new ring of five by John Taylor and Sons of Loughborough in 1849 (as dated on the bells, but they were actually cast on January 8th 1850. The tenor weighed 16-0-16. The bells were rehung on ball bearings in 1921 and treble was added to make six in 1959, both by Taylors.

The 1959 treble was retained when the old bells were recast and augmented to eight in 1969. The wooden frame was replaced by one in iron, of lowside pattern. The decorated canons from the old tenor are preserved as a centre-piece for the ringing room table, which incorporates features from the canons of the other bells around the edge.

The lowside frame and fittings are by Taylors, 1969, except for the third which retains its 1959 fittings.

There is a church car-park by the churchyard gate

Details of the Bells

1 John Taylor & Co, Loughborough  1969   5-0-09  28.25"   1298.0Hz (E-27c)
2 John Taylor & Co, Loughborough  1969   5-1-16  29.00"   1224.0Hz (D#-29c)
3 John Taylor & Co, Loughborough  1959   5-3-12  30.50"   1094.0Hz (C#-23c)
4 John Taylor & Co, Loughborough  1969   6-2-10  32.50"    972.0Hz (B-28c)
5 John Taylor & Co, Loughborough  1969   7-3-03  34.875"   866.0Hz (A-28c)
6 John Taylor & Co, Loughborough  1969   9-1-17  37.00"    817.0Hz (G#-29c)
7 John Taylor & Co, Loughborough  1969  12-1-15  41.125"   728.0Hz (F#-28c)
8 John Taylor & Co, Loughborough  1969  17-1-00  46.00"    649.0Hz (E-27c)

Photo Gallery

The Church - Looking East. Source Mike Chester The Chancel. Source Mike Chester The Church - Looking West. Source Mike Chester
The Church - Looking East The Chancel The Church - Looking West
The Canons The Head Plan of the Church. Source: British History Online
The highly decorative canons
from the previous tenor bell.
 The Kings Head -
a canon from an 
old bell in the ring.
 A Plan of the church
The bells from above. Source Quentin Howell The Second. Source Quentin Howell The Third. Source Quentin Howell
The Bells From Above The 2nd The 3rd
The 4th, 5th, 7th & Tenor. Source Quentin Howell The Fifth. Source Quentin Howell The Tenor. Source Quentin Howell
The 4th, 5th and Tenor bells,
with the 7th behind 
The 5th  The Tenor
The Tenor and Treble. Source Quentin Howell    
The Tenor and the Treble    

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